Rick Sereque sent these. THANKS!
Love the use of color and composition! wow!

Welcome! This is a place where I (Lisa) can pass along information about photography -- photo ops, new products, reviews, workshops, articles, exhibitions, etc. etc. Enjoy!



Post from: Digital Photography School - Photography Tips.
Learning about Exposure - The Exposure Triangle
Bryan Peterson has written a book titled Understanding Exposure which is a highly recommended read if you’re wanting to venture out of the Auto mode on your digital camera and experiment with it’s manual settings. In it Bryan illustrates the three main elements that need to be considered when playing around with exposure by calling them ‘the exposure triangle’. Each of the three aspects of the triangle relate to light and how it enters and interacts with the camera.
The three elements are: ISO, aperture and shutter speed. It is at the intersection of these three elements that an image’s exposure is worked out. Most importantly - a change in one of the elements will impact the others. This means that you can never really isolate just one of the elements alone but always need to have the others in the back of your mind
read the rest of the article here: Learning about Exposure - The Exposure Triangle








June 20 White Farm Open House, Litchfield, CT
June 20 Paragon Jousting at Shakespeare Family Renfair, Craryville, NY
June 20, 21 New England Pirate Faire, Stage Fort Park, Gloucester, MA
June 20-21 Annual Elizabeth Park Rose Weekend Festival, Hartford, CT
June 21 Open Cockpit Day, New England Air Museum
June 27 Pageant of Trolley Cars, Shoreline Trolley Museum, East Haven, CT
June 27-28 Quonset point Airshow featuring both the Blue Angels & the Snowbirds, Quonset, RI
July11 Riverfest, Hartford
July 17 Deep River Muster Tatoo 7pm
July 18 Deep River Muster Parade 10am
The June newsletter offers some discount coupons for Nik and onOne plugins, some new tips and tricks, some free Photoshop brushes, and some super summer deals from Adobe! Have fun! Follow the link below to read the June 2009 Newsletter online. http://www.photoshopsupport.com/newsletter/09-06.html
The PhotoshopSupport.com Team
Adobe has a Summer Suite Deal. For a limited-time you can save $100 when you upgrade to Creative Suite 4 from an earlier version of Adobe Creative Suite, Production Studio, or Macromedia Studio. Ends August 31, 2009.
Plus, Adobe is offering up to 80% off to all students and faculty in the Adobe Education Store with valid identification.From Art Morris Birds as Art
Back issues of all BAA Bulletins can be found in the Bulletin Archives which may be accessed from the home page at http://www.birdsasart.com/. If you photograph birds then you should be getting his emails! He is THE bird guru.
SHARPNESS TESTING
I receive several e-mails each week from folks who state that this camera does not focus properly or that that lens is not sharp. In 99% of the cases I am sure that operator error rather than equipment malfunction is the cause. That said, on rare occasion, folks using quality equipment from Canon of Nikon do experience real problems with focusing accuracy.
If you are handholding, please do not complain about unsharp images. I was walking around in Sabine Woods late yesterday afternoon. It was cloudy dark. I was working at ISO 800 with shutter speeds of about 1/60th second and even slower at times. There were two folks walking around handholding 500 f/4 lenses; they might as well have gone fishing as there was no way that they could create a sharp image without a tripod in those conditions. It is best to work on a tripod at all times when using your longest lens (unless you are handholding for flight or for action).
Another factor to consider is that most of the folks who write complaining of unsharp image are using cameras with 1.6X or 1.5X multiplier effects. They need to realize that these cameras multiply vibrations and movement caused by operator error by the square of the equivalent focal length!
If you are using a tripod you need to check and note the shutter speeds of your unsharp images. I had one guy on an IPT complaining that none of his images were sharp. I checked his set-up and saw that he was working in near darkness at ISO 100 with shutter speeds in the 1/8 to 1/15 second range. Making sharp images with a long lens at such slow shutter speeds is simply not possible for most folks. When working at long effective focal lengths I am confident that I can make sharp images down to 1/60 second as long as I have time to lock the tripod head and provided that the bird does not move during the exposure. With the prime lenses alone, I can usually get down to 1/30 second. With the relatively new Canon 800mm lens and its new 4-stop IS system, I have made some sharp images at shutter speeds as slow as 1/6 sec.
Below are two simple tests to determine if you have faulty equipment.
#1: Tape a sheet of newspaper to a sunlit outdoor wall on a relatively still day. Make sure that it is as taped down as flat as possible. (A magazine cover with fine print or a plastic or cardboard test chart are of course better options.) Mount your telephoto rig on a tripod. Lock down the tripod and the lens collar. Make sure that you are beyond the minimum focusing distance of your lens and that the distance range switch (if your lens has one) is set to full. Make a few images at the wide open aperture using both One-Shot or AI Servo with Canon gear or Single (S) or Continuous (C) with Nikon. Then do the same thing at f/8. As long as the wall is sunlit you will have more than enough shutter speed to know that your focusing issues are not caused by too-slow shutter speeds. Now download your images and check them for accurate focusing. If all of the images are sharp, then you can be sure that your unsharp images were being caused by operator error.
#2: Stand well off a somewhat busy road with the sun angled so that the approaching vehicles are coming right down sun angle. Use the wide open aperture and choose an ISO that results in shutter speeds greater than 1/2000 sec. Choose AI Servo (Canon) or Continuous (Nikon) and select the center AF sensor. As the cars approach, place the central sensor on the license plate and hold the shutter button down once focus is acquired. Even this simple task requires some practice so be sure to take lots of images. Download the images and sort them into two groups: sharp on the license plate and unsharp on the license plate. Now using an application that allows you to see the position of the active focusing sensor, in this case the central sensor, note the position of the sensor in the unsharp images. If the sensor is consistently on the license plate and the images are unsharp, then you likely have equipment problems. You can repeat this test with various camera bodies and various lenses in an effort to determine the cause of the problem. When you are pretty sure that you have an equipment problem it is best to send the gear to the manufacturer along with a CD of the test images.
In most cases, folks will learn that their equipment is perfectly fine but that their poor sharpness techniques are the cause of the unsharp images. Do also realize the importance of subject movement. While working at the Cozad Ranch probably well more than half of my images were unsharp. This was due in most cases to subject movement. In other cases, the unsharp images were a result of the AF system being unable to maintain sharp focus on the tiny songbirds as they leaped off of their perches. It is important to understand and to realize the limitations of our equipment.
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Take advantage of a $50 mail-in rebate!Final Cost: $429 from Tallyn's
Available Now or call (800) 433-8685
Light Fantastic Photo Tours has some delightful tours coming up in June and July to start your summer fun with your camera. New for us are Saturday Camera Walks in various San Francisco neighborhoods.
Our Lavender Tours were sold out in 2008 so don’t miss out on this aromatic and photogenic day. Hot Air Balloons, Fireworks, and Flowers also keep us busy this summer. For fall we have many colorful offerings including our favorite fall color locale: Maine and Acadia National Park. For those of you on the West coast you won’t be disappointed with a day in Napa Valley and our very popular Fall Color Weekend in the Wine Country.
Due to the success of our spring tour to Big Sur and Monterey, we are repeating it in September.
The winter months will find us out at night with our plethora of Night Photo Tours in San Francisco and along the coast. We are adding new locales all the time as SF is so photogenic at night.
We were fortunate to be in Venice for Carnival in February and will repeat it in 2010.
Please contact us for more information and to register for a tour: info@light-fantastic.com
"Great photography is about depth of feeling, not depth of field"...Peter Adams
Gale Perry, Light Fantastic Photo Tours
www.light-fantastic.com
100 Lucky Drive, Suite 207 Corte Madera, Ca. 94925 415 927-1639 Fax:415 927-0720
2009 TOURS
June 20 & 28 Lavender Tour
July 3 & 4 Fireworks
July 11, 18, 25 SF Camera Walk
August 1 SF Camera Walk
Aug 8 Flower Workshop
Aug. 13-16 San Francisco
Sept. 9-12 Big Sur/Monterey
October 9-16 Maine & Acadia Natl. Park
Oct. 17 SF Coast Series
Oct. 24 Napa Valley Fall
Oct.30-Nov 1 Ca. Fall Color Wine Country Weekend
November 1 Full Moon SF
November 7 SF Coast Series
Nov. 14 SF by Night
November 20 SF Holiday Lights w/Fireworks
Dec. 2 SF Full Moon
December 5 SF Holiday Lights
Dec. 12, 27 SF Coast Series
Dec. 19 SF Holiday Lights
Dec. 30 SF Full Moon
2010 Tours
Jan . 2 CA Tide Pools
Feb. 27 Napa Mustard
Feb. Carnival in Venice
March 3-7 Death Valley
From Photojojo
Remember Everything With Your Camera and Evernote
Your camera can keep your mind from wandering off. Snap a picture of anything you want to remember and drop the photo into Evernote.
This clever little app turns your picture into a note (it can even read text in your photo) and creates a collection of little reminders.
Use tags to search for related notes, or add them to a to-do list. You can access the database from your smartphone, desktop, or the web, so it’s available wherever you go.
Take snapshots of places you want to explore, or ideas scribbled on napkins, and pretty soon you’ll remember everything!
Your mind may still wander, but at least you’ll know where it was.
Evernote: Use Your Camera to Remember Everything
Thanks to reader to Lindsay Leung for the tip!
p.s. Evernote works with your scanner too! (And screenshots, and your webcam, and Eye-Fi cards…) Check out their blog for ideas and tips on using the app.
From Red River
New Epson Printer for Greeting Cards
The Epson Artisan 50 looks to be a worthy printer for printing your custom photo note and greeting cards on Red River greeting card papers.With six colors and a rear feed tray, the Artisan 50 should be a dandy choice for any of Red River's glossy, matte, specialty, or fine art card stocks.A new Artisan 50 is on the way to RRP HQ today. We'll have a full review of this new machine shortly.
Check out the printer over at Amazon.com: Epson Artisan 50
Learn how to use Photoshop CS4's Color Range tools to get more subtle, refined, and targeted selections when creating masks.
Written by Russell Brown
To create the best masks, you need to make the most accurate selections. Photoshop CS4's Color Range tools give you an easy way to create more subtle, refined, and targeted selections.
In this tutorial, you'll use the new Masks panel to choose one or more localized color clusters (there's a mouthful!); then adjust the sampled color range with a handy slider. While that may sound confusing, it's easy to follow along with this video how-to.
Stream the 10.6MB QuickTime tutorial in a separate window by clicking the image below.
Make Your Camera Theft-Proof: Harness the Power of Ugly!
Jimmie went to a bad part of Rio. Jimmie’s nice shiny camera got stolen.
Jimmie uglified his next camera. 4000 photos later, Jimmie still has his camera.
The moral: an ugly camera attracts less attention when you’re shooting in a rough area.
How to uglify your camera:
http://photojojo.com/content/tips/theft-proof-uglified-camera/PhotoCalc - This app has some super useful tools. There is a glossary of photography terms which will help beginning photographers and definitions of rules like the Sunny 16 rule. The best part is a depth of field calculator so that you know exactly how much margin you have for focusing when you enter a specific focal length, camera type, aperture, and subject distance. Oh, and if you LOVE to shoot just after sunrise or just before sunset, the app will find your location and tell you the time of sunrise and sunset.
SmugWallet - This is my new favorite app. You do need to have smugmug galleries set up to use this. Now instead of having to upload photos to the built in photo library, I can sync whichever smugmug galleries I desire. I hope in the future they have a way for me to set the photo as my screen saver/background. For now you can browse photos and email a link to a gallery or specific photo to others.
Camera Bag - This app will help you have fun with your built in iPhone camera. You can take or edit photos with fun tools like fisheye, helga, lomo, cinema, and much more. Just fun!
Photogene - If you miss photoshop and which they made it for your iPhone, try this app. No it will not replace Photoshop, but it is fun to play with and for quickly editing photos taken with the iPhone camera.
Tweetie - If you are one of the many photographers who love twitter, there are many apps available to help you tweet on the go. I have two, “twitterific” and “tweetie” - but find “Tweetie” much easier to use.
Facebook - If you are one of the many photographers on Facebook - this will make it much easier to check and reply to facebook on the go.
Cover Styler - So… This one is fun for photographers who have kids. My twins asked me to include this one and the next one. This app allows you to take photos in your library or camera roll and put them inside a variety of Disney Magazine covers ranging from Hannah Montana to Suite Life on Deck and Wizards of Waverly Place. This app may just give you leverage to “bribe” your kids into letting you take their pictures - if you agree to make them a movie star on your iPhone.
Face Melter - This app is fun for kids - they can use photos in the camera library or roll to melt and distort. Think of it as photoshop’s liquefy tool on steroids (though not quite as pleasing results). I have to say that even as an adult, it can be fun to play…
New ProShow Online Classes Announced
The June 2009 Class schedule has been announced so come check out what's new. Whether you need to brush up on the basics, or you're ready to dive into advanced effects keyframing, we've got an online class for you. Online classes are as little as $10 each, and are offered almost every day.
Upcoming Lecture: Linda Connor
Saturday June 6, 8pm
CPW invites you to join us for an evening lecture with the revered photographer and educator, Linda Connor.
The most consistent element in Linda Connor's work is the making of photographs that are iconic and that honor her subject. Using tools reminiscent of 19th century landscape photography, Connor's images reflect the poetry and mystery of place and contemplate the relationship of the sacred to the natural world.
Connor's work has been internationally exhibited at venues including San Francisco Museum of Modern Art, Center for Creative Photography in Tucson, National Gallery of Art, Haines Gallery and Paul Kopeikin Gallery. Her photographs are published in seven monographs including On the Music of the Spheres, Spiral Journey, and most recently Odyssey by Chronicle Books.
Linda is the recipient of three National Endowment for the Arts grants, as well as a Guggenheim Fellowship, and her work is included in collections at the Art Institute of Chicago, the Museum of Modern Art, the George Eastman House, the Getty, and the Victoria & Albert Museum in London.
Admission: $7 / $5 (members, students, & seniors)
Best wishes from all of us,
The Center for Photography at Woodstock
email: info@cpw.org
phone: (845) 679-9957
web: http://www.cpw.org
From: http://scarthphoto.com/wordpress/
And interesting post about Garlic Mustard. I had a large one growing in my plant nursery (a little garden that I put my babies until they are large enough for the big garden). This monster showed up, kind of pretty with heart shpaed leaves and nice white flowers, but I just knew that it had to be a weed because it was waist high in my nursery garden. I inquired and was told to get it out and fast because they are toxic to other flowers and to trees.
OK, easy enough. Then I went out back a couple of days ago and there were hundreds of them! I have never had any before (we have lived here for 5 years) but I spend hours pulling them. And they are a plant that you do NOT compost, etc. "When Garlic Mustard is pulled it should be bagged and removed rather than left on the ground. Plants have enough energy stores to produce fruits and seeds even after they are pulled. "
So today I came across this great blog -- and there is Garlic Mustard -- a photo and a description.
May is the time of Garlic Mustard (Alliaria petiolata). This invasive is coming into full bloom and those combatting it are out in force pulling it. Heavy infestations are a threat to the woodland flowers (including rare and special ones) so enjoyed by people and needed by insects in their life cycles. It degrades woodlands as wildlife habitats and may shade out tree and shrub seedlings as well as flowers.
From Weekly Photography Tips
How to test a lens for sharpness...
Ever shoot with one of your lenses and think it doesn't look quite as sharp as it should?Ever buy a used lens and want to make sure it works like it should?Ever stand in front of a mirror in woman’s clothing and think you look pretty? ah... wait, strike that last one, I just meant to think it.;)Here's a great video tutorial on testing your lens sharpness.
http://weeklyphototips.blogspot.com/2009/05/how-to-test-lens-for-sharpness.html
Welcome to Weekly Photo Tips.
This site is dedicated to all photographers with the purpose of exposing you to cool and informative resources that could help make you a better photographer.
An Evening with Denis Reggie
Denis Reggie will be giving several free seminars on his renowned wedding photojournalism in June. These very special gatherings feature Denis Reggie up close and personal as he shares favorite images and stories from behind the scenes. He will detail his techniques, offer industry insights, and answer questions… all in a casual, living room style format.
This is a FREE Canon Explorer of Light event and is open to all photographers at any level. You do not have to be a Pictage user to attend these free seminars.
Click on your city for more details and to RSVP.
New York, NY June 3, 2009
Denver, CO June 10, 2009
Honolulu, HI June 23, 2009
Tim Grey's DDQ Digital Darkroom Questions
Videos Books Digital Darkroom Quarterly Speaking Blog
Today's Question:
In reading your explanation about using Fit Image to resize images for a slideshow in a recent DDQ email, I am wondering what happens to the natural ratio of height to width if you automatically set the pixel dimensions as you propose. I currently simply go to Image > Image Size and resample to 768 on the longest side (which is the requirement of our Camera Club digital competition). Because the cropped image often varies in ratio of sides, we get different pixel dimensions for the shorter side. Wouldn't the procedures you outlined cause an image's size to be distorted?
Tim's Answer:
This is an excellent question, because the risk of having the aspect ratio of an image changed during resizing is something I think any photographer should be concerned about. While it is possible to slightly change the aspect ratio without adversely affecting the image (and in fact, in some cases altering the aspect ratio can actually improve the aesthetics of the image), I recommend that the aspect ratio of the image be maintained in most cases.
When using the Image Size command, the Constrain Proportions checkbox is turned on by default, and thus the aspect ratio of the image will be preserved. If you change the Width, for example, the Height will adjust in proportion as long as the Constrain Proportions checkbox is turned on. I recommend leaving this checkbox turned on at all times (except in the rare case where changing the aspect ratio slightly provides a benefit).
When it comes to the Fit Image command, there isn't a checkbox for Constrain Proportions, but that is because the Fit Image command always maintains the aspect ratio of your image. The key to realize here is that the Fit Image command doesn't actually resize the image to the exact dimensions you specify, but rather resizes the image to fit within a box with dimensions you specify. So for a given collection of images that all have slightly different aspect ratios, if you set Fit Image to a Width of 1024 and a Height of 768, all vertical images will be 768 pixels tall, but their widths will vary. No distortion will occur.
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You use the iPhone for talking, watching movies, listening to music, surfing the Web, and... helping you take better product shots??
iHandy Level Free (free) is a level that is indeed handy for aligning your camera on a tripod.

To see an example of an older iPhone level in action during a photo shoot, go to "The iPhone as Photo Accessory."